![]() After the death of the regent Philippe d'Orléans in December 1723, Campra became sous-maître at the Royal Chapel in Versailles. In 1722 he was engaged briefly as maître de musique by the Prince of Conti. In 1720, he adopted the composition of sacred music as his only profession.Īlthough Campra had obtained critical success he lacked financial security. By 1705 he was such a musical celebrity that he became a target for negative articles in the press. In 1700 he gave up his post at Notre-Dame and devoted himself to theatrical music with critical success. He began to compose for the theatre in 1697 and published some theatrical compositions under his brother's name to protect his reputation with church authorities. Campra added violins to the performance of sacred music at the Paris cathedral, a controversial innovation in an era when they were considered street instruments. He served as maître de musique (music director) at the cathedrals of Arles and Toulouse and then, from 1694 to 1700, served in a similar capacity at the cathedral of Notre-Dame de Paris. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. ![]()
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